My ears are ringin'

Is it just me, or does Sunday come around WAY too fast? It’s like, your weekend starts, you’re all excited about getting the chance to relax and unwind, enjoy the sunshine (seriously, how much are you LOVING this weather?!), have some laughs and then, before you know it, it’s Sunday evening and you’re getting ready for work the next day. Bleurgh! This weekend feels like it’s been particularly unproductive for me, because I spent a good deal of it chasing round after an extremely troublesome ginger cat.

He's being stealthy

My sister has named him Balthazar. I don’t know where he came from, but he’s been hanging around our street for about a week and he doesn’t have a collar. On Friday, the neighbourhood children were chasing him and he looked really scared, so I had to tell them off. He obviously recognized me as his saviour because I was woken up by him yesterday morning at half 7; I looked out of the window and there he was, sitting on the drive, staring up at me and meowing. It sounded like he was saying “Franki!” So he’s kind of spent the weekend chilling in the garden, getting up to mischief and generally being cute. There was a scary moment on Saturday morning when he climbed up a very tall tree and angered some magpies, but he was ok. Silly Balthazar. We think he might be lost because he seems a bit confused, so I think the plan is to take him to the vet tomorrow to find out if he has a microchip. If anyone in the West Derby area of Liverpool is missing a very pretty, very vocal ginger cat, this is probably him!

Anyway, that’s not really anything to do with anything, it’s just my pet-deprived inner-five-year-old wanting to tell you about the cute kitty. I thought I’d do a post today about another one of my obsessions...

Earrings

This is my current collection of earrings, twenty two pairs (notice how many big, jangly ones there are? I’m secretly a gypsy), although that’s not counting some of the older pairs that I don’t really wear anymore and are in a different jewellery box and all the single ones I’ve kept hold of even though I’ve lost their partners (don’t you just HATE it when you lose an earring? Especially when you’re actually wearing them and one just sneakily falls out!). They're pretty much all cheap ones from the high street or random little jewellery shops; nothing crazy expensive because, like I said, I have been known to lose them quite easily. My absolute favourites at the moment are these Big Ben ones from Topshop;

I would love it if these actually had working clocks in them, imagine "Have you got the time?" "Yes, let me just check my ears!"

I didn’t actually get my ears pierced until I was 14, which is quite old, considering my little sister and I had them done at the same time and she was only 7. Even though you’re supposed to keep your studs in for about six weeks afterwards, I took mine out a couple of weeks later because we had a none-uniform day at school and my friend convinced me to wear a massive pair of hoops. Despite the fact that my ears actually bled and the earrings were really heavy, I thought the hoops looked fabulous and soon I was obsessed with earrings (thinking back, how utterly stupid was I? Bleeding ears and I thought it looked wonderful! Teenagers are such idiots...)
In my opinion, earrings are one of those things that haven’t really had their “moment” in fashion for some time. I know "statement jewellery" in general has been really popular for a while now, but, browsing through some images from the Spring runway shows, the majority of designers went with statement necklaces and rings more than anything else. Apart from a brief flirtation with chandelier earrings a little while back, I don’t think the fashion world has really been bothered with earrings since, well, I don’t know when, the 80s?!
I wonder if it’s because a lot of people seem to focus more on hair nowadays, and they don’t want a big pair of crazy earrings drawing attention away from the hair? Or maybe big hair AND big earrings can seem like overkill?
I don’t know, nor do I really care; let the fashionistas have their cocktail rings and bejewelled bibs, I’ll stick with my jingly jangly earrings, for I love them and would choose them over any other piece of jewellery. I can’t explain why, but I really think they make your face look better. (it might be because I have a really big face, so big earrings maybe make it seem smaller!)They also draw attention to your eyes and make your neck look more slender if you wear them with your hair up. Plus, a really plain outfit becomes ten times more interesting if you add a funky pair of earrings. I think you get the point, I am an earring junkie.
Thought I'd have a little look at what sort of ear decor is available online at the moment, and there is a lot out there; lots of variation in sizes, shapes, materials and colours. I suppose that's the beauty of jewellery design, there's not really any rules or limitations to what can be created.

Here's a few of my favourite finds;

'First Kiss' Earrings, $28 Old Gold Boutique
Pink Swarovski Skull Earrings, £29 Talullah Tu

Pearl Statement Chandelier Earrings, £24 Talullah Tu. Seriously, check out the Talullah Tu website, all of the jewellery is beautiful!
Roberto Cavalli Swarovski Frog Earrings, £365 Net-A-Porter. Yeah so £365 is an insane amount to pay for earrings, but I just had to share these! Swarovski froggies!

Turquoise Freshwater Pearl Dagger Earrings, £8.50 Gimme That Thing, Folksy

By the way, if you haven't already come across it, Folksy is a brilliant website which allows people to set up an online store and sell handmade jewellery/clothes/greetings cards etc. There's already an American version, called Etsy, which I think is generally more of a big deal and more people know about it, but Folksy is all UK-based sellers, so, obviously, if you're based in the UK yourself, delivery rates will be much cheaper. I think some sellers actually sell on both sites, but the majority sell on either one or the other, (depending on where they're from), so you will find stuff on one site that you can't get on the other. Even so, there is literally thousands of items for sale, I could spend hours on there browsing through all the different stores. In addition to the turquoise earrings above, I found so many other gorgeous pieces, from dangly, beaded earrings, to vintage ones, to cute and quirky little studs. I even a found a pair that was literally two tiny Polly Pocket figurines attached to ear hooks! It's a sure-fire way of finding a really unique piece of jewellery for a reasonable price.

Diamond girl who could talk for hours

On Friday, I headed into town just to buy a couple of things that I actually needed, but then did my usual trick of suddenly remembering that I have money again and spent a whole lot more of it than I should have done. I think I've mentioned it before, but one of the shops I should never be allowed into EVER is HMV. There is always some kind of sale or offer on and, because I'm obsessed with buying DVDs, I quite often end up standing in there for an hour, pondering over which 4 DVDs to get for £20. I went in to buy the Paloma Faith album, which I've been meaning to buy for a while, but somehow managed to leave with both the album and this;

To be fair, because of all the saleness, both the album and boxset only came to £22, which is pretty good when you consider the boxset contains 7 DVDs. However, at this point I had already spent a good deal of money in Boots, bought two pairs of shoes in Primark AND owed Liv money for the Particuliere, so I probably could have done without the trip to HMV. But let's not worry too much about my scary spending habits and instead focus on lovely, lovely Marilyn. I briefly mentioned my love for Marilyn here; she is definitely my favourite Hollywood icon. My sister and I had an argument about her the other day as Liv favours Audrey Hepburn and thinks that watching any Marilyn film is painful because she was such a bad actress. I, of course disagree in a big way; I honestly think she had the most amazing screen presence and a brilliant sense of humour. Gentlemen Prefer Blondes and Some Like It Hot are two of my absolute favourite films, I just find myself smiling all the way through them. The boxset I bought is actually Volume Two of "The Collection", they didn't have Volume One, but I'll no doubt buy it at some point. As I said, it contains 7 DVDs, most of which are Marilyn films I've not seen before, so I plan to work my way through them over the next few weeks and enjoy a bit of old Hollywood glamour and sexist stereotyping. Lovely.

Yesterday, I watched How To Marry A Millionaire, the title says it all; it's about three models who are on a mission to find rich husbands. (ever noticed how many Marilyn films involve her trying to find a rich husband?! She's certainly not the best example of a strong, independant woman, but I guess that's old-Hollywood for you...) Marilyn, playing Pola Debevoise, probably has the smallest part of the three leads; (the others are Lauren Bacall and Betty Grable) the main angle of her storyline is that she needs to wear glasses because her eyesight is so poor, but refuses to let men see her wearing them, (because "men aren't attentive to girls who wear glasses" apparently) so spends a large part of the movie bumping into things. Fortunately, love conquers all and she meets a man who finds her more attractive with her glasses on and they get married. And he doesn't even have any money. Well done Pola, well done.

As with all of these old movies, the fashion is fabulous and Marilyn looks stunning throughout;

Marilyn as Pola, Lauren as Schatze and Betty as Loco. For some reason they all have really weird names...

They both wear glasses! It's a match made in Heaven!

I think these specs are adorable, I'm very tempted to get some myself.

As well as all the incredible clothes, I always find myself distracted by the hair and makeup in old movies. It was always so sophisticated; hair was coiffed and curled to perfection and the makeup was simple but sexy, with fluttery lashes and bold red lips. I love how this trend for 40s and 50s styling is making a comeback today, with a lot of stars choosing to go for old-Hollywood glamour when on the red carpet at various events (think Christina Hendricks at the Golden Globes and Cameron Diaz at the Oscars). This look has also become really popular with the rise of Burlesque, with people like Dita Von Teese championing the classic glamour of the 40s; porcelain skin, strong, sculpted brows and flawless hair.

Even though, at first glance, this look appears to be quite minimal and simplistic, I'd imagine there's actually a lot of work involved, especially with the hair. Dita is never seen looking anything other than immaculate, so imagine how long it must take her to get ready in the morning!

Someone else who embraces the whole burlesque/old-school glamour look, though she brings a distinctly modern twist to it, is Paloma Faith. As I said, I've just bought her new album and I thought I'd share the photos from it because I think the styling is just beautiful.

The album cover is probably my least favourite of all the images but those tattoos are very Chanel. In fact, her album was released before the Chanel show took place so you could say that she's the one who set the trend...

Excellent eyebrows, Paloma, truly excellent.

Just hanging about in the grass with her accordion, you know how it is.

These are my two favourites I think. The hair is gorgeous - I find it so difficult to create loose waves like that. Any tips?

Wow, I didn't intend for this post to be so long, it was originally going to just be about Paloma (isn't that a nice name by the way? I may call my first child Paloma, regardless of whether it's a boy or a girl...) with just a brief mention of Marilyn, but ah well, this is what happens when it's a Sunday morning and there are so many pretty pictures out there!

All Paloma images are scans from the album "Do You Want The Truth Or Something Beautiful?" which I thoroughly recommend! The Marilyn and Dita images were all found on Google.

Particularly peculiar

I've been a bit rubbish on the blog front of late. The main reason for this is that I'm three weeks into a new job which mainly involves me spending a large amount of time in front of a computer. Sadly, when I get home after a long day at the office (haha I work in an office now, never thought I'd see the day!), the last thing I want to do is spend more time staring at a computer screen. Obviously, for this blog to actually exist, I have to spend SOME time in front of a computer screen as, contrary to popular belief, these things don't write themselves (seriously, they don't, I've had a chat with my laptop about it and he's just not interested) so I'm going to just have to man up and accept the fact that I'm slowly destroying my eyes. So yeah, regular blogging will recommence soon, je promise. I've got so much to write about too! There's a list of ideas and photographs and all sorts!

Anyway, all that nonsense aside, tonight I wanted to talk about something that (for me at least) is a bit exciting. Recently, I've been ALL ABOUT the nail varnish; this started because I've always bitten my nails, ever since I was a VERY little curly girl, but one of the things that would dissuade me a bit from biting them was painting them nicely. So I figured I'd buy lots of colourful nail varnishes in the hope that my prettily painted nails would subdue my bitey bitey urges. It seems to have done the trick and I can officially say I'm a nail biter no more. Hurrah! Even though I've quit the habit, I still keep them painted most of the time, just because I think they look a bit more interesting and because there's SO MANY exciting colours available! I've been wearing an incredibly vibrant shade of light blue all week and, honestly, it really cheers me up to look down and see my lovely blue nails smiling back at me! (they don't literally smile, that would be terrifying.)

I've been using mainly cheap nail varnishes, such as Barry M and Collection 2000 because I like to have a wide range of colours to choose from so it obviously makes more sense to stick to the cheap and cheerful brands. However, on Thursday, my sister got a call from the Chanel counter in the Liverpool branch of John Lewis saying that they'd just got a new batch of Particuliere in. Now, just to clarify, my sister was on a waiting list for Particuliere; Chanel don't phone her up every time they get something new in, we're not that fancy in my family! Now, as you know, as much as I'd like to be, I am NOT the kind of person who would usually spend a silly amount of money on something so frivolous, and in my book, £16 for a bottle of nail varnish is definitely frivolous. However, Particuliere is pretty much the biggest nail varnish this season and has been virtually impossible to get a hold of. So when I heard that Liv was going to buy a bottle, I asked her to see if she could get me one as well. Lo and behold she did!

Have you ever tried to take a photograph of your own hand? It is more difficult than you'd expect.

Now I can imagine some people going "£16 on a bottle of dark baige nail varnish?! Franki, are you completely insane???" and the answer to that question is probably yes. But my reasoning for this is as follows;

• I've just started a new job so can justify treating myself a bit,
• It really is a very lovely, flattering colour and I've wanted it for ages
• If I'd been able to find a similar, cheaper alternative, I would probably have bought that instead, but I've not seen anything that's even vaguely similar.
• It's been selling out like crazy all over the place so it's quite exciting to say I own a product that's so in demand
• It's probably the only Chanel item I'll own for a very long time. Hopefully when I'm rich and successful (doing God only knows what) I'll be able to splash out on Chanel coats and bags and things, but for now, my little bottle of Particuliere will do.

LOOK! The models wore it on the Spring 2010 catwalk! I own something that's been seen on a Chanel catwalk!

I was very tempted to buy a second bottle to sell on eBay, because it's selling for WAY above the RRP, but I didn't get the chance to go into John Lewis when I was in town yesterday, and it's very probably sold out again now. Plus, I don't think Karl Lagerfeld would ever want to be my friend if he knew I was selling his wares on eBay, it just doesn't seem right somehow...

To be perfectly honest, I was expecting a lot for £16 but apart from the lovely colour, there's nothing really special about it. I mean, it's easy to apply and has a really good, smooth finish, but one of my nails chipped after a day and I'm pretty sure I hadn't done anything crazy with my hands. If I'd been playing the guitar or grating cheese or something, I'd accept it, but I'd literally done nothing! Maybe I should have applied a top coat to protect it, but then you think, for £16 it shouldn't really need a top coat, should it? I probably won't be buying any more Chanel Le Vernis Nail Colour any time soon, because, let's face it, having fancy nails is great but I'd much rather spend my money on clothes and chocolate, but it is nice to be the owner of something a bit luxurious for once. Saying that though, Nouvelle Vague is really pretty...

FIERCE!

Cycle 14 of America's Next Top Model is well underway (seriously, FOURTEEN! And they've started casting for Cycle 15. It only started in 2003 and there's been 14 seasons! How does Tyra have time to do anything else?!) and all I can say is

I. LOVE. RAINA.

If more people had eyebrows like this, the world would be a better place.

( Images from CWTV.com)

The Brow-zy Chaperone

You know what really bothers me? People who don't understand the importance of eyebrows. I know it may sound weird, but eyebrows are EXTREMELY important when it comes to having a successful face. I mean, ok maybe they're not as important as eyes and lips and nose and skin and all that other nonsense, but a pair of rubbish eyebrows, in my opinion, RUIN a perfectly good face.

I am obsessed with eyebrows. Whenever I see a person with overplucked or weird-shaped brows I want to give them a good telling off and confiscate their tweezers, but I refrain from doing so for fear of being known as 'Insane Tweezer Stealing Eyebrow Girl'. I don't want that label. They might ban me from planes.

While I'm not sure what their 'official' evolutionary purpose is, aesthetically, brows serve to frame your eyes (and, you know, separate your forehead from the rest of your face). Therefore, attention should be paid to them! Sadly, for some reason, a lot of people seem to think that as long as you've plucked your eyebrows into some kind of uniform shape, and they both vaguely match, you've done a good job. If you believe that then all I can say, Grasshopper, is that you still have a lot to learn.

You can probably get better advice from some kind of eyebrow expert, but I think the main things to remember when it comes to shaping your eyebrows are;

- Only pluck stray hairs from underneath the brows, don't pluck above them.

- Some people mistakenly believe that eyebrows should begin where the eye begins, this is so MASSIVELY wrong. Sure you should pluck between your brows to avoid a monobrow, but they should start at either side of the bridge of the nose, no further out than that.

- While quite a lot of people go for the whole 'tadpole' look, ie a big bit at the beginning and then a really thin 'tail', it's actually better to keep brows at a similar thickness throughout.

- It varies from person to person, but the arch, that is, the part of the eyebrow that goes up, should start at the outer edge of your iris.

Still, if you choose to pluck your eyebrows yourself rather than get them done professionally (which can be expensive), accidents can happen. We've all done it; gotten a bit pluck-happy with the tweezers and before you know it you're caught in a permanent state of shock and/or terror, like Sweep from the Sooty Show;

Now I love Sooty and the gang, but this abusive behaviour is just unacceptable.

Fortunately, if you have overplucked, you can at least rest safe in the knowledge that eyebrows eventually grow back, so put your tweezers away, make friends with your eyebrow pencil (in a similar colour to your hair, not an insanely dark one) and just keep reciting this mantra;

thin is not always good, less is not always more.

Pammie, take note.

Anyway, over the past couple of years, countless designers have featured strong brows in their shows, so if there was ever a time to ditch your tweezers completely, it is NOW.

Balenciaga Spring 2008, Chanel Spring 2010, Cavalli Fall 2010

Prada Fall 2010, Dior Spring 2010, Valentino Spring Couture 2008

I LOVE these images! Brows brows brows! If you're still not convinced, why not browse through the brows (ahahaha!) of these beauties, who've still gone for a more natural, fuller brow, but have kept them a little more groomed;

Idina Menzel, Rachel Weisz, Jennifer Connelly

However, if you really want to talk about seriously MASSIVE, unruly and downright sexy brows, we need to a take a little trip back in time to the 80s...

Madonna

Julia Roberts

Brooke Shields, perhaps the most iconic brows of all time. Wow.

Of course, huge, bushy brows like the ones above aren't for everyone. While they can look great, it's also worth bearing in mind that there is a very fine line (about as fine a line as Pammie's brows) between looking like Brooke and looking like these people;

Oscar the Grouch, Benicio Del Toro and Sam the Eagle

Right, I'm done waxing lyrical about such highbrow matters. Take my advice, motherpluckers, and thread carefully. Tweezey-peasy.

Factory Girl

I've been trying to write this post all week, but I just had too many words to say and ended up having a small breakdown. Don't worry, I'm ok now, but following on from my breakdown, I'm thinking that the best way to write about this particular topic is to break it down... (you see what I did there? I am just SO street!)

First, let's all share a moment and look at this;

I know, I know, crazy/epic/mental/ridiculous/fabulous/insane right? But what's even more exciting about this is that moments before this photo was taken, that gigantic ruff/cloak thing was actually this skirt;

How Franki? How? And why? And also what? And who? And when? But mainly how? Explain all, please, for we are so confused by these images of strange and wonderful things.

Well children, are you sitting comfortably? Then I'll begin...

Viktor Horsting and Rolf Snoering, also known as Viktor & Rolf, the crazy-cool Dutch design duo, have always been known for their whacky but wonderful approach to fashion. I've mentioned them briefly in previous posts but not really gone into great detail about them... that is UNTIL NOW, because, having been rendered completely and utterly dumbfounded by their Fall 2010 show, I have to comment.

Imagine the scene; a fashion show. The runway is completely plastered with images of cogs, gears and screws and the music is layered with the mechanical sounds of a factory. The lights dim. Kristen McMenamy (a popular face of the 90s... I've never heard of her) heads down the runway wearing a ma-hoo-sive fur and tweed cape. The designers follow her and the three of them stop on a rotating circle in the centre of the runway, where Viktor and Rolf then proceed to remove said ginourmous cape from the model, who is standing as still as an extremely still mannequin (that's VERY still). Another model appears on the runway, steps onto the magical rotating bit and the designers dress her in the cape, which, with a few minor adjustments, becomes a coat. This process is repeated again and again as it is revealed, on removal of the giant cape, that McMenamy is actually wearing several layers of coats and jackets, which are each removed in turn, transformed into another garment through the magic of drawstrings, zips and fasteners and then placed onto another model, who then carries on down the runway, while McMenamy is STILL STANDING STILL!

You want a cape or a coat? Voila! You can have both!

Once all the layers are removed and McMenamy is stripped down to nothing but a nude bodysuit, the process starts again, this time in reverse, with models wearing various dresses, which are then removed, turned into yet more coats and placed back onto McMenamy, who, believe it or not, is STILL STANDING STILL! Is she a robot? Possibly.

First it's a dress, then it's a coat. Ah, the things you can do with a drawstring.

Basically, the whole thing was insane. I don't know what I was more impressed by; Viktor and Rolf's ingenuity and precision when removing/transforming/replacing garments or Kristen McMenamy's ability to wear twelve million layers of clothes while maintaining an air of zen-like coolness.

But what was the reason for all this? Are Viktor and Rolf telling us that layering is going to be such an important aspect for the Fall season that we should just wear all our clothes at once? Were they taking tips from that video of the 1930s future fashion predictions where they thought we'd all be wearing clothes which could adapt for day and night? Or did they just want to play dress up with a life-sized Barbie doll? (Don't we all?)

No. Don't be silly, it was none of those things.

The show was entitled "Glamour Factory", the runway (I think) represented a conveyor belt and the designers were like the two little workers, busily producing new garments. They were also playing with the concept of "Ready to Wear", as the pieces were somewhat extreme but, with a few tweaks, became instantly wearable.

I'll be honest, I don't really get where McMenamy and her layer upon layer of coats came into it all, but I'd like to think she represented a big stylish onion, which could be peeled to reveal more and more lovely things.

Regardless of what it all meant, I think it was brilliant, simply because it's a nice change to see a runway show which involves something a bit more than models just walking. Even so, having read several reviews, it's clear that the spectacle and theatrics of the show managed to overshadow the actual clothes, which is a shame because they were really gorgeous;

Those circle-lens sunglasses do remind me of Judge Doom from Who Framed Roger Rabbit? though;

Anyway, Viktor & Rolf have to be commended for the brilliant design features which utilised a simple drawstring to conceal or reveal volume, allowing garments to transform effortlessly from one thing to another. It was never a case of "oh that coat looks a bit like a dress now"; the coat was DEFINITELY a dress.

I also think it's great to see the designers taking an active role in the show, as usually, designers don't seem keen to enter the runway at all. I'm hoping that next season, designers will take their cue from Viktor & Rolf and we'll see Karl Lagerfeld whipping out a sewing machine on the Chanel catwalk and making all the clothes from scratch, right there and then. Brilliant.

"Her hands are never cold, she's got Bette Davis eyes..."

Ok, ok, you've got me. I admit it:

I have not seen Avatar.

I have also not seen The Hurt Locker, An Education, Up, Precious, Inglourious Basterds or any of the other big, important films of this year. I have, however, seen Valentine's Day. And The Princess and the Frog (which was amazing. I love Ray). Clearly I have my film-related priorities very much in order.

And while I think it's great that Kathryn Bigelow became the first woman to win Best Director (seriously, the Oscars have been going since 1929, how can it have taken 80 years for a woman to win? Does this mean the Academy are very sexist or that women just aren't very good movie directors? Answers on a postcard), I simply can not comment on any of the other awards as I have no opinion on the majority of films nominated.

So all I will say is, congratulations to the winners, commiserations to the losers, but really you are all winners in my eyes. Except, not really because I don't know who most of you are.

Anyway, none of that matters because here at the little curly girl, we deal in fashion, not films (if you want film-talk, go here, but not until you've read this post, ok?) and you know what there was plenty of at the Academy Awards? Dresses! Lovely, lovely dresses.

I thought, just to make things vaguely more interesting, I'd show you my favourite gowns of the night, alongside the original catwalk version, because two pretty pictures are better than one, aren't they? Yes. Yes they are.

First up, in one of my absolute favourite gowns pretty much EVER, was Diane Kruger;

This is Chanel Couture from the Fall 09 collection and I think it's just exquisite. She looks like a vase, but a really, really gorgeous vase. Just look at the shape! And the ruffles! And look at the back! (on a side note, how FIERCE is Sasha P in the first photo?!) Perfection, honestly, I LOVE it. And to think, I really wasn't keen on her Golden Globes dress at all, well done for turning it around Diane, very well done.

Also in Chanel and also one of my absolute favourites was SJP;

Beautiful, beautiful, beautiful! And so elegant! Thankfully she chose not to team it with the crazy big hair from the Spring Couture show, (but I still do love that crazy big hair...) opting instead for a soft, slightly messy updo, extreme smokey eyes and glowing skin.

Elie Saab was also a popular choice for the red carpet with both Anna Kendrick and Rachel McAdams sporting floaty, feminine frocks from the Spring 2010 Couture collection;

I think it's interesting how, on Anna, this dress looks so demure, but on the catwalk, with slightly different styling, it's actually really sexy.

The floral print on this gown is lovely, it reminds me of watercolours. I'm also a big fan of Rachel's earrings - you know I loves me a pair of oversized earrings!

Two more actresses wearing the same designer were Jennifer Lopez and Amanda Seyfried, who both stepped out in strapless Armani Prive Couture;

I like how Jennifer's gone for a gown that not only hugs her curves, but also creates its own curves!

The combination of the silvery white gown and Amanda's pale skin make her look like the Childlike Empress from The Neverending Story, which is interesting, because in the film, the Empress' proper name is Moonchild and this Armani Prive collection was all about the moon! (Is it just me, or do these gowns look a bit like they're made from bubble wrap?)

Also doing the classic strapless thing was Cameron Diaz in Oscar de la Renta;

Am I the only one who finds it funny that she wore Oscar to the Oscars? Hahaha madness! Cameron went for a good old fashioned dose of glamour with her super sparkly dress and tumbling blonde curls. I also think it's quite impressive that she's technically wearing a dress from the future as this was literally just seen on the Fall 2010 catwalk. She's wearing Fall 2010 in March 2010! Cameron Diaz has a time machine! (I'm sure celebs get to wear stuff in advance all the time, it's just the first time I've ever actually picked up on it before).

Finally, my award for best dressed of the night goes to Carey Mulligan in Prada;

I couldn't find a shot of this on the catwalk (I trawled through LOADS of images too) so I can't work out if it's some kind of crazy one-off or I've just missed it. If anyone does know which collection this is from, please tell me!

This is fab for so many reasons; firstly Carey actually looks her age in it (so many young actresses end up aging themselves about 10 years when they get dressed up for big events) because it's so fun and quirky, secondly the bottom is a really weird shape but it still works and thirdly, all those embellishments are tiny little scissors and forks and spoons!!! Tiny metal things! For tiny metal people! I heard that after Sunday night, Carey donated this dress to the Borrowers. She is their queen now.

I'm going to end with a picture of Jake Gyllenhaal (wearing Burberry) because he's handsome;

That's all for now.

(all images from style.com)

Temporary high

My general opinion of tattoos is that, while they can look quite cool, I'd never want one myself because, a) I'm a bit of a wimp when it comes to pain and b) well, they're very permanent aren't they? Sure, you may love having Donald Duck on your shoulder now; it's a conversation starter if nothing else, but a few years down the line, he may just serve as a big, web-footed reminder of what a complete idiot you used to be. Saying that though, a Donald Duck tattoo may be preferable to a tattoo of say, your ex's name; after he broke up with Winona Ryder, Johnny Depp changed his "Winona Forever" tattoo to "Wino Forever" (so I guess they just crossed out the "na" part?), which, quite frankly, is just bloody stupid. And even if you don't go for someone's name or a cartoon character, even if you think your tattoo is the classiest, most sophisticated piece of artistry ever to be carved into human flesh, consider this little pearl of wisdom from my mum...

how will it look when you're wearing a wedding dress?

(I can only assume that my mum is directing this thought towards women rather than men, because, let's be honest here, if the groom comes down the aisle in a wedding dress, you've probably got more to worry about than how his tattoos look)

So all in all, tattoos are not for me. However, when I was much younger I was a big fan of the temporary kind; they always seemed to come free on pre-teen magazines like Mizz and Shout. I clearly remember sitting in my room with a wet flannel pressed against my arm, counting to thirty (because you had to count to thirty or it wouldn't work) patiently waiting for the magic to happen. Sparkly suns, flowers, rainbows; I had them all! I was practically a tattoo connoisseur! Sadly though, when I was about 13, we were in school getting changed for PE and some mean girls teased me, saying that fake tattoos were 'so immature' - kids can be so cruel. After that I stopped using them. (apart from last October at my friend's hen party when I bought a pack of My Little Pony transfers and made everyone wear one - we looked AWESOME!)

But HA! In your faces, mean girls! Thanks to Chanel, temporary tattoos are making a comeback!

(images from style.com and Elle UK)

First seen adorning the limbs and decolletages of the models at the S/S 2010 show, the limited edition Chanel tattoos, (officially named "Les Trompe L'Oeil De Chanel"...I have literally no idea what that means...) are available to buy from Selfridges and Chanel stores, though they may have already sold out. Each pack contains five sheets of transfers and they cost £49 (or $75 on the Chanel site) but I just looked on eBay and they're selling for at least twice that amount.

The packs contain a selection of intricate chains, pearls, flowers, swallows and the Chanel interlocked Cs logo, and what's quite clever is that they all fit together, so you can wear as many or as few as you want.

I haven't been able to find any really good quality images of the tattoos, but here's a video of the Chapman sisters (my absolute favourite youtube makeup artists) trying them out;

The £49 price-tag means that I won't be buying them any time soon, but they are very pretty and I can see them being a big hit with all the serious fashionistas out there. It'll be interesting to see whether Chanel has sparked a trend for temporary tattoos, I mean, most of the things we see on the catwalk do eventually trickle through to the high street and I for one would LOVE to see stores like Topshop and Urban Outfitters bring out their own versions!

The more I look at them, the more I think they're actually quite innovative. If temporary tattoos were to become a big trend, imagine how your beauty routine would change! "Foundation - check, mascara - check, lipstick - check, tattoo?" Plus, what implications would there be for accessories?! Do they replace jewellery altogether or could you wear them with necklaces and bracelets layered over? Ooooh just think of the possibilities!

What are your thoughts on these beauties? Would you wear them or do you think they're best left on the catwalk?